Category: bad '70s music

month of 70's GPM: got to give it up (marvin gaye)

month of 70's GPM: got to give it up (marvin gaye)

MORE COWBELL!

well yesterday, i did talk about songs that made me feel like i’m at a party. this is one of those songs that qualifies. and how. got to give it up (part 1) is a song by marvin gaye, a dude who was killed by his own dad  (which definitely gives one pause) way before his time.

frankly, i could do a month of songs i love by marvin gaye, but then i’d probably hear tumbleweeds flying across my blog. (unless, of course, i wrote about let’s get it on and provided some sort of references that would bring in the porn crowd. of course, according to my stats, they end up here anyway, probably thanks to my potty mouth. no matter.)

so let me stick to got to give it up. girlfriend loves  a song about shy guys, and this one concerns shy marvin (like i’d believe that) and his fear of the dance floor. fortunately, the groove gets him going and he and his bell bottoms live happily ever after… well, happily enough, in between two divorces, court dates, drug addiction, and his dad taking him out with a gun he had given pops a few months prior. [note to self: firearms make terrible presents.]

::going back to my happy place::

ehem. so, as i was saying. it’s a party song. i love me a good party. and i prefer the image of marvin dancing around as opposed to marvin rockin’ a coffin. hell, the song was so good, both michael AND the jacksons stole from it for later 70s hits.  (let’s dance/let’s shout/get funky what it’s all about! was not written by tito and the gang; it came from marvin.)

it’s not political like some of his work. it’s not even remotely grrrrrrrowly like some of his other work.

but it’s got a good beat. you can dance to it.

month of 70’s GPM: some kind wonderful (grand funk railroad)

month of 70’s GPM: some kind wonderful (grand funk railroad)

not to be confused with the movie of the same name

some kind of wonderful is actually a cover song for grand funk, much like another monster hit, the loco-motion. it’s hard for me to choose which one i love better so i flipped a coin. (sue me; i don’t have to be logical. it’s my blog, after all.) kudos to one of my secret boyfriends todd rundgren who produced this LP for the band. it made them commercial, it made them real, all at the same time.

anyway, i was a wee lass of 9 when this song came out. it doesn’t bring back a specific memory, you should know. i just know that if this song comes out, it is impossible for me to be in a crap mood. (i know. you’re all disappointed i had nothing cynical to say about it. you know, the glass is sometimes half-full, people. it just is.)

and the loco-motion just makes me want to shake my ass. the production makes it sound like it’s live from someone’s basement party. there are songs that sound like they’re emanating from someone else’s good time; and whenever i hear them, it makes me feel like i’m at the party, too.

so there. i’m not being cynical. i’m just feeling happy. some kind of wonderful, you might say.

month of 70’s GPM: jet airliner (steve miller band)

month of 70’s GPM: jet airliner (steve miller band)

the unsolved mystery of the bleeped song… not solved here of course, but part of my memories nonetheless.

http://www.youtube.com/watch?v=XyQ1znMc3og

i must confess, i adore steve miller band’s 1970s output. i spent hours trying to figure out what the pompatus of love was; i nearly injured myself clapping along with take the money and run;  i loved the eerie goofiness of space cowboy; and i wondered why central jersey girls didn’t get their own special shout-out in keep on rockin’ me.  (don’t get me started on his ’80s output: i am horrified whenever i think of  the rhyme abra, abracadabra, i wanna reach out and grab ya.)

but  jet airliner is probably my favorite of his songs. i could never decide which version i liked better:the AM version i heard on my beloved 77 WABC played a line from the song as funky kicks going down in the city. well, of COURSE they did on AM radio. but on progressive FM stations back in the day, the song was played with it’s original lyrics in it’s original cussing glory: funky shit going down in the city.

in fact, i am mystified by my local FM station (which is about as progressive as someone’s grandpa and as local as McDonalds is, of course; a franchise of some uber national conglomerate), which simply bleeps the word shit. what gives? most of the people who remember the song remember the word shit in it and don’t care. but somehow, the worm has turned and bowdlerization is in order. Dog forbid the kids hear the word shit; nevermind the fact that they often listen to the latest misogynistic and violent music without blinking an eye.

ah well. i always think of my days at leonard baer day camp when i hear jet airliner. ah, the days of playing a game called skibble with shaved-down checkers; swimming lessons; plenty of sports; color war; and the inevitable camp out. 1977, when jet airliner was out, was my last year as a camper; and i remember the camp out vividly. we returned from an evening hayride to see our tents all pulled down and messed about. a radio show came on, warning us that the jersey devil was seen in the area. kids were crying.

i wasn’t.

i recognized the guy on the so-called radio show.  it was my big brother BTD and his  radio voice. i immediately figured things out and stayed quiet. eventually, the proverbial jig was up and all was well. but what fun!

i can’t find a camp like that around here for my kids. every camp is specialized: soccer camp, science camp, skating camp, harry potter camp, etc. it’s a pity. cos every time i hear steve miller telling me he has to be moving on, i realize that time has moved on, too. the world is a different place. too afraid, perhaps, of liabilities (hell, when our camp bus broke down, we WALKED a half mile to the pool and no one managed to get run over in the road!); too afraid of kids losing their educational edge in the summers; too afraid of simple fun.

for better or worse, this song immediately brings me back to those times. i wistfully remember them, and i sadly think about how my kids will probably never experience them.

month of 70's GPM: don't go breakin' my heart (elton john and kiki dee)

month of 70's GPM: don't go breakin' my heart (elton john and kiki dee)

whatever happened to kiki dee, anyway?

since i was on the subject of sir elton duets the other day, i figured, ah, what the hell. let’s launch into another. (fret not. this will not become a sir elton john fanzine. promise.) i love this song, an attempt by sir elton to replicate those old marvin gaye/tammi terrell duets. it’s bouncy, it’s upbeat, and it features kiki dee, a lady who actually was a backup singer with a hit behind her, i’ve got the music in me. (i would add that you couldn’t throw a dead cat at a ’70s variety show without hearing someone cover that one.)

in fact, i was once watching a movie with BC, ella enchanted, and lo and behold, there’s anne hathaway and jesse mccartney singing their way into america’s tween hearts. the song even wormed its way into the movie musical version of hairspray because of course that song was an integral part of the early ’60s. (not.) i find myself reminding BC: that song was done earlier, you know, by other people.

whatever, mom, she inevitably replies. i just like the song.

yep. mom needs to chill out.

anyway, ms. dee has since sung other backups and duets with sir elton, has been in west end shows, and has done just fine in Britain, thankyouverymuch. but this song is probably her best known (perhaps only known) contribution to American pop.  well, that, and the cereal bowl hair, which eventually was copied by people like toni tennille. and me, i would add. (and no, i’m not posting pictures.)

i bet the song is big on the karaoke circuit, though having only experienced that joy once in my life, i wouldn’t know. (as for that experience,  what happened in denver will stay in denver. all i’ll say is that i attempted my best belinda carlisle with a co-worker.) but hell, hand me a mojito and i’ll get up there and sing.

if someone else will join me in the duet, that is.

month of 70’s GPM: bad blood (neil sedaka)

month of 70’s GPM: bad blood (neil sedaka)

remember – sedaka is back….

never was hot. never was sexy. but neil sedaka, a nice jewish boy from brooklyn, always had a golden touch with pop during the 50’s, 60’s and even the 70’s. don’t get me wrong: i loathed a lot of that sappy crap: calendar girl (which i always hear calendar cat from the old purina commercial in my head whenever it plays), oh! carol (written for carole king, his old girlfriend), and breaking up is hard to do, a song he recycled and made into a hit again about 20 years after the first time. and that’s just some of his solo repertoire. (it doesn’t scratch the surface of the hits he wrote for other people, too. including that little captain and tennille number.)

so yes, i have a great deal of respect for neil sedaka, in spite of the fact that i don’t care for a lot of his creative output. he deserves to be in the rock and roll hall of fame, methinks. just because he doesn’t rock like, say, ozzy osbourne, it doesn’t mean he didn’t make a significant contribution to rock and roll.

but see, there is this one song, a song he sings with this guy i kinda adore, sir elton john. you’d think i’d hate bad blood — it’s all about denigrating some woman who apparently did sedaka wrong.  lord knows the lyrics made no sense to me when i was a 10 year old belting it out to anyone who couldn’t get in their earplugs fast enough. but it rocks in it’s own evil way. of course, i never quite like it as much when someone else is singing the backup vocals, so maybe there’s something to be said for my being a big elton john fan. but still. love it.

of course, the only better thing about bad blood is kitty and eric from that 70’s show singing it.

a month of guilty pleasure mondays: 70s

a month of guilty pleasure mondays: 70s

happy new year, y’all. nursing that hangover? well, if you want more pain, feel free to peruse my magical month of blatantly bad 70s songs. it will make your ears bleed.

but seriously, it’s a new year. it’s time to turn over a new leaf. one of the leaves i am working on is being kinder to the people out there in blog land. you know, the patient people who manage to endure my blatherings. (the people who probably wanted to smack me back in november.) hint: YOU.

and you know, all wasn’t horrid in 70s pop music. in fact, i have quite a few guilty pleasures. maybe you’ll like them, too? (then again, maybe you’ll laugh me off the face of the internet.)

so, all this month, i will try to feature songs i actually LURVE from the 1970s. of course, i run the risk of having people hate those, too.

but it’s my blog; and i’ll blather if i want to.

you’re welcome to put your polyester huck-a-poo shirt back on and take the ride.

and, as always, i take requests.

blatantly bad 70s songs: afternoon delight (starland vocal band)

blatantly bad 70s songs: afternoon delight (starland vocal band)

everyone together: skyrockets in flight! afternoon delight!

http://www.youtube.com/watch?v=A81fwLNklSM

the big mamajama. ’cause i couldn’t ignore it, now, could i.

this one perpetually tops worst 70s songs lists, running neck and neck with (you’re) having my baby. and you really have a DC-area restaurant chain, Clyde’s, to blame for this one:

According to an account in Rolling Stone, Taffy credited the song’s creation to a culinary repast. “Bill wrote this after having lunch at Clyde’s in Washington, D.C.,” she explained to an audience before performing the song. “It seems Clyde’s has a menu called ‘Afternoon Delight’ with stuff like spiced shrimp and hot Brie with almonds. So Bill ate it — the food, that is — and went home and explained to me what ‘Afternoon Delight’ should be.”

yeah. i always think of stuffed shrimp when i hear this one.

i always marvel at americans. they get up in arms, self-righteously apeshit about sex. yet who are the homophobes you witness waving their arms at football games in time to YMCA? and who do you see singing afternoon delight with their kids when the song is about enjoying a nooner with the missus?

and they somehow even didn’t blink when, after this single hit skyrocketed in flight to the top of the charts, the starland vocal band got their own TV show featuring a new and corny comedian named david letterman. captain and tennille at least had a few hits — but this group literally had one! one lousy countrified bit of schlock chockablock with benny hill-worthy hints about naughtiness. nudge nudge, wink wink. pullllease.

corny, corny, corny. i knew it then, and i know it know. i think we were so preoccupied with the nation’s bicentennial that we let this one slip into the top spot of the charts.

———————-

it being the last day of november, i am freeing you all — fly, be FREE! — from the curse of blatantly bad 70s songs. for now, of course. you never know when one will show up on a guilty pleasure monday. (i don’t always have great taste, you know.) who knows : maybe i’ll do a month of guilty pleasure mondays that will make people vomit or weep with joy. (or both? it could happen.) thanks to all for joining me on this journey to ear-bleeding nirvana and for sharing your candidates. special thanks to middlebro and leifer for their contributions. i can share their addresses if you’d like to send hate mail.

may the force be with you. or, as one of my favorite TV characters said in the 70s, nanoo, nanoo.

blatantly bad 70s songs: the night the lights went out in georgia (vicki lawrence)

blatantly bad 70s songs: the night the lights went out in georgia (vicki lawrence)

another day in the life of mama’s family.

http://www.youtube.com/watch?v=3fqUwK1GSbo&feature=related

oh, miss vicki, miss vicki. i love you when you’re with carol burnett, especially as cissy in gone with the wind:

so why did you have to go and spoil it by creating a melodrama of your own?

basically, this lovely ditty — which control freak sonny bono turned down when it was offered to cher — concerns a sister, a brother, a cheating wife, brother’s former best friend, and the corrupt legal system of the South. it was even turned into a TV movie at one point with kristy mcnichol, dennis quaid, and mark hamill (LUKE??? you fell to earth and landed in Georgia??) did the nation hate the South so much that people made this song a hit just to remind the South that it hadn’t amounted to much good, not even since the Civil War came to straighten it out? lawd have mercy.

anyway, some things about this song i don’t understand, not now, not in the 70s:

1) what self respecting person goes up to a friend and announces that they’ve been sleeping with their wife while he’s been away? duh. i have a death wish.

2) what sister could stand by and watch her brother go down for murders she committed?

3) and now, why is she basically confessing in song? dimwit.

4) just how did the sister hide the body? and,

5) where the hell is the amos boy? probably shacking up with the sister, i bet.

anyway, i think i see the inspiration for mama’s family here. mama’s angry, vengeful, and violent family.

(and how did this become a hit? you can’t even dance to it.)

blatantly bad 70s songs: feelings (morris albert)

blatantly bad 70s songs: feelings (morris albert)

trying to forget my feelings of plagiarism…

http://www.youtube.com/watch?v=PfRrJyMLc-s&feature=related

ah, morris. or is it MaurÃcio, as you started out life in your native brasil? i hear tell that a california court found you guilty of plagiarism in 1988, that you stole this monster of a song from french singer line renaud? well, as we all know, imitation is the sincerest form of flattery. and that means that a gazillion people love this song, as it has been covered by everyone from fraaaaaank sinatra to nina simone to the offspring.

and of course, by my fave muppet, beaker.

http://www.youtube.com/watch?v=Jt8Q7Fsa_Vs

when i was young, i would stay home from school sick and watch game shows all day long. i loved game shows and still am bummed that daytime tv lacks these gems. (and no, we don’t get the game show network, sadly.) one of the shows was the incredibly painful chuck barris creation the gong show. at age 11, i was able to discern that these folks had to be doing some serious drugs on that show. zany didn’t describe some of the moments. but the most memorable show of all was the show when every single act came on and sang feelings. the song was that ubiquitous, and someone — barris?– was having a huge laugh about it. it was one of the most hilarious shows i ever saw.

and that is how i try to remember this song whenever it comes on while i’m on hold for a doctor’s office. otherwise, i might tear my hair out, strand by strand. so sappy. so dripping with sugar.

it makes my teeth have feelings of pain.

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