i want to be Rainbow High!
the other week, i settled in with BC (who was under the weather) and started to tuck into the film version of evita starring madonna and antonio banderas. i attempted to explain the state of politics in argentina in the 1940s; the nature of eva duarte’s poverty-stricken and sad childhood and then subsequent attempts at sleeping her way to the top; and the actual reality of che guevera, who, while an important character in this play, isn’t actually historically present. girlfriend enjoys musicals, as i do, and so i impressed upon her how musicals can also be about serious subjects and not just singing for singing’s sake. and oh, by the way: evita is my absolute favorite musical of all time.
just as eva was meeting juan peron in the movie, girlfriend asked me to turn it off.
ah well. i was a little disappointed, but maybe evita is not a musical for the younger set. (at least, not until disney decides to take a crack at it and make it palatable for kiddies. what a laff riot that would be.) i saw it on broadway in 1981 when i was a few years older than BC. on the occasion of my grandparents’ 50th wedding anniversary, my parents, my brothers, my grandparents, and i drove to new york to see andrew lloyd webber’s masterpiece. i’m pretty sure i saw it when patti lupone starred in it, though i was more accustomed to elaine paige’s voice in the role thanks to the record Middlebro shared with me of the original cast production.
in any event, my grandparents’ 50th wedding celebration was marked by two things: the first, the fact that i fell in love with this musical productions. the second: my brother’s car breaking down high in the parking deck…on that date, which happened to be easter sunday. try to find a tow truck willing to pull you down several stories on easter sunday in manhattan… anyway, let’s just say i have memories of my brothers and father pushing the car down and around the deck until it was low enough for them to work with. i’m pretty sure i ended up taking the Route 9 bus home with my grandparents and my mom while the boys figured things out with the car.
yep, nothing says happy 50th anniversary like an unexpected trip on NJ Transit.
the vocal acrobatics that the role of eva peron requires is astonishing. it is not for the timid. and i was mighty surprised when i heard that madonna was taking the role in the film production. in fact, surprised is not really the word for it; i was disappointed. while i’m not exactly the biggest madonna fan around, i will give her props in several departments; however, her vocal skills would not be among those. and while she wasn’t bad in the role, i felt her take on rainbow high was passionless.
this is a song to be BELTED out; and madonna is carefully working so hard to actually hit the notes that she doesn’t have a chance to infuse them with much emotion. the end of the song is even lowered a few notes, which is a bit jarring to anyone who loves this song.
i guess i should be thankful that a popular performer like madonna took an interest in this musical and shared it with the masses, who might not otherwise have encountered it.
and who knows: maybe one day, BC will watch it all the way through.
I remember finding the Madonna Evita was surprisingly good — I’m a fan of Evita, too. (Though nothing comes close to The Music Man, IMO.) 🙂