Category: FAMILY

guilty pleasure monday: true colors (cyndi lauper)

guilty pleasure monday: true colors (cyndi lauper)

sure, she’s so unusual. but pay no attention to her hair or her newspaper shard skirt. really.

forget about the fact that this song has been used by countless advertisers — kodak included — to shill products. cyndi lauper’s true colors is a magnificent anthem about loving yourself, an appropriate song for a woman who has grown to become an important human activist as well as respected artist. [as an aside, i know the boys in BC’s 4th grade chorus think the song is a joke (the 4th grade is singing all 80s songs this year in their performance this week), but i hope some of the kids hear the words and take a little something away from the song.]

in the video, you watch lauper progress from a little girl to a confident grown woman. i always loved lauper’s videos — she rarely has conventionally pretty people in them, and true colors is no different (unless you’re the one person who thinks that her perpetual video love interest is attractive.)

what i love best about this song is how lauper’s voice starts in a child-like whisper and grows to become a full-out aural assault. when i listen to modern singers, i seldom hear any sort of artistic buildup in their voices. it’s all about the vocal acrobatics. not that people on american idol aren’t impressive (to someone; not usually my cup of tea, i seldom ever see that show); not that the folks out there who use never-ending vibrato and who glide up and down the scales a thousand times while delivering the star spangled banner don’t have talent. but for a lot of these folks, it’s about showing off their pipes, not emoting with them.

lauper can hit several octaves. she also knows she doesn’t need to use them in every. single. song. it’s all about using what you have to create a statement.

and that, combined with the powerful message of the song, is why i love it. so i won’t be afraid to let you all know that i adore true colors.

it’s beautiful. like a sonic rainbow.

guilty pleasure monday: ray of light (madonna)

guilty pleasure monday: ray of light (madonna)

i’ve been busted by my 5 year old.

http://www.youtube.com/watch?v=6cy1MmdR3kg

let me clarify. i am the girl who put a no madonna clause in the DJ’s contract for my wedding. i am the girl who loathed all the wannabes who seemed to flourish everywhere i looked during 1984-6. i am the girl who pretty much can’t stand 98% of ms. ciccone’s musical output. and when i read andrew morton’s biography of the, erhm, lady, it solidified everything i suspected about  Her (faux) Blondeness.

so why the hell does ray of light have a place on my mp3 player’s shuffle?

i think the first time i heard ray of light, i had just become a mother for the first time.  there was something so vital, so bouncy, so energetic about the song. parenthood had left me feeling sluggish, sloth-like, and nearly dead. how could this little creature who i loved more than life itself manage to suck the life out of me with her medical issues, her exhaustive needs, her never-ending wails?

and then, i heard this almost-trance-like sound from the TV. it was upbeat, it was exhilirating, it was… madonna? WTF? and yet here was a lady who was a relatively new mother — a single mother — and she was Doing. It. she was getting things done. (nevermind the fact that i’m quite sure she had an army of help. money changes everything.) it somehow connected with something in me.

i. could. do. this. too.

so quicker than a ray of light i snapped out of my foggy doledrums, little by little. basically, you might say that i felt like i just got home.

amusingly, hellboy adores this song, especially at the end, where madonna screams like she’s finally lost her mind.

so hellboy, this one’s for you.

(now don’t go telling people about how mommy also likes to hear bananafone by raffi, okay, or her already-laughable coolness rating will completely go down the tubes.)

what a difference a day makes

what a difference a day makes

yesterday was the anniversary of the date i first went into the hospital, three years ago. i never knew a day could change my life so radically, but then again, as the old clichee goes, what a difference a day makes.

my doctor had called me back late that afternoon with my blood test results. i think i may be the poor guy’s medical bete noir; i’ve thrown down shingles at him as well as other interesting medical predicaments. you know, he said to me, your reds and whites look fine to me. but its weird — something must be wrong with the test — we can’t get a reading on your platelets. he had already seen how i was black and blue all over (crack whore, the description my beloved pal jaxx had given me a few days later, was how i truly looked); when i told him about today’s joys, a never-ending nosebleed and the fact that i was, er, let’s just say hemorraghing, he told me that perhaps i ought to hit the ER.

my best bud murph ran home from work, stayed with my kids, and BS and i hit the ER. and waited. and waited. and waited. two men who were also waiting are forever pinned in my memory: one, walking around with his urine sample and complaining bitterly of the pain he was in, and another, whose stitches on his knee had opened and who was raining blood down on the floor two seats down from me.  i felt this eerie calm, like i was sleepwalking, as i marvelled at the men. jesus, i said to BS, one guy has a urinary tract infection and is screaming like he’s about to die. i’d expect that from a woman in labor, but if every woman with a UTI screamed like that — and it can be painful, i know — the world would be wailing. and i just watched the blood drip…drip…drip onto the floor from the other man’s knee. later, i would watch a cleaner come and mop it up. and then mop some more elsewhere.

ew.

anyway, the ER nurse, when i finally saw her after giving blood, proceeded to laugh at me as i recounted how my previous day had gone down: i had dropped one child off at school, gotten on the bus and gone downtown, walked a half mile to my office, worked, met friends about a half mile away for lunch, walked back, worked more, walked to get the metro, took it to hellboy’s preschool, picked him up, picked up the car, drove over to pick up BC and BS at BC’s school, went home.

did you not notice you were tired? she asked.

i replied, i’m a mother of two young children. i’m always tired.

apparently, not tired enough to notice that i had almost no platelets left in my system. normal levels of platelets are 150k – 400k, for you trivia buffs. below about 30k, they want you in the hospital. below 10k, you’re in danger of your brain bleeding.

when i hit the hospital’s ER, i had 2k.

(yeah, i’m an overachiever.)

no one knew why my platelets had disappeared, but they threw some platelets in me to try to get me stabilized. i ate those suckers up like wheaties; the benefit didn’t last long. idiopathic thrombocytopenic purpura was the term thrown at me. which, in english, means your platelets have fallen and they can’t get up. one theory was that my son, who had been ill, gave me some regular old, garden variety childhood virus that i had never had (and which makes grownups quite a bit sicker, apparently.) so they gave me some antivirals.

they also pounded me with steroids. after a few days, my platelets went up to a respectable 36k, so they let me go home with the stipulation that i hit the hematologist the very next day.

and hit it i did.

when i visited the hematologist, my platelets were back down to 4k. whee! this gave me a free pass for a bone marrow scan. i hope none of you, NONE OF YOU, ever have to get this. i wouldn’t wish it on my worst enemy. you are awake. there’s a tiny bit of local, but you feel the scraping of the doctor inside a piece of your hip bone. the pain is excruciating, like childbirth, only with childbirth, you are pretty sure you’ll have a happy outcome. with a bone marrow look-see, you’re praying for the best possible outcome, an outcome that doesn’t involve a horrible illness that will shorten your days. the technician helping my doctor gave me a tiny little bear to hold. i was grateful for the kindness, but i was lacking the will to be creative that day. i named him platey. he rides in my car to this very day.

and while they scraped around inside me, i talked. i talked about jamaica. i talked about the sunblue waters in which i once swam, in which i once snorkeled and saw the most beautiful, colorgleaming fish, fish i never think i’ll see outside of an aquarium. i tried so very, very hard to be anywhere but in that little room. i wanted to think about a place where i had been so very, very happy. and i didn’t want to think about my children, as i couldn’t bear to make any mental leaps about my children and sad, sad, news that hung over me like a shroud.

when it was over, i had to wait for my doctor to get it all together. he was going to look under the microscope himself. the longest half hour of my entire life. i sat there and planned my funeral. who would be at my funeral? where would i be buried? what songs would they play? who would be looking after my children? how would my husband cope? would my parents ever recover from this or would this kill them, too? i tried so very, very hard not to cry. but i hurt, inside and out.

soon, BS joined me in my personal circle of hell. and the doctor broke out his little slide and started to look. come here, he said to BS. i want to show you something under the microscope. surely my hematologist wasn’t going to gleefully show my husband my death sentence, swimming around on a little slide. surely it would be a sick and cruel thing to do. i sat up as straight as i could.

see, these are platelets,” the doctor showed BS. “tons and tons of platelets.  she’s making them, which is a great thing. your wife has the hardest working platelets in show business. something must be killing them on their way to the spleen or at the spleen.” in other words, i was having some sort of crazy autoimmune episode where my body marked my platelets as invaders and shot them down. giving me more platelets wasn’t going to do anything but give my body more opportunity to shoot down more little platelets.

the good news: not cancer.

the bad news: back into the hospital with lots and lots of steroids. BTD (aka my brothuh the doctor, for those of you new to the place) was totally in the act now, talking with the hematologist, telling him about when he had ITP and then was discovered to have CVID. the pieces of the puzzle were coming together, although my hematologist, unaware at the time of any genetic link for CVID (or any link between ITP and CVID for that matter), was absolutely gobsmacked. when this is all through, you need to see my friend in bethesda. he needs to take a look at you and help you figure this out. this is amazing, this is. (and i do now see his friend in bethesda. every 6 months.)  in the meantime, have you tried giving her IVig? my brother asked.

IViG was very difficult to come by then; i had heard that they were saving it and sending it out to the troops in Iraq, though i’m not sure how accurate that is. but i knew my brother couldn’t get any for me at his hospital. my hematologist probably gave away his first born child for me; he somehow finagled three treatments for me from other hospitals. too bad for me, no one knew i would have a hideous reaction to it my first time. once i premedicated with benadryl, though, things were looking up.

after nearly two weeks in and out and in the hospital again, i was set free. my count was improving, though i had to stay on massive doses of prednisone for months afterwards, which made me a little teeny eentsy weentsy bit psycho..heheheheh. (and waaaaay fat. but better to be fat than be dead, i always say.) but over time, i improved and improved. i was so grateful for all the support my family and i received from friends and coworkers. my boss — hell, the entire organization — could not have been more wonderful in my absence.

but that day completely changed the course of my entire mental state, my entire perspective on my life, my family, my work, my very existence. today, i am relatively healthy — my platelets were clocking in at 215 when they were checked in january — but i know now that every day being well, being on my feet, being here — is a day that i wouldn’t trade for anything.

fire

fire

last week, my brother Middlebro (who you all learned to loathe during november’s blatantly bad 70s music fest), lost his home to a fire which started in a neighbor’s home and spread to his.

and no, not this kind:

http://www.youtube.com/watch?v=VF25KEloF5g

he is in the throes of listing all his belongings for the insurance company and looking for a new place to live while they rebuild the condo.  all the while, he has had a fantastic attitude about the whole thing. i mean, it has got to be a colossal pain in the ass to completely take all your worldy possessions and figure out plan B. all in a day.

if it were me, i’d probably still be half-way through some ben and jerry’s.

in short, i’m impressed.  (even in spite of the fact that he’s politically to the right of attila the hun. )

[sorry i’m not funny today. i will discover my funny bone later this week. i hope.]

month of 70’s gpms: mary had a little lamb (paul mccartney)

month of 70’s gpms: mary had a little lamb (paul mccartney)

hello, and welcome to one of the biggest search terms that lead people to my blog. don’t know why, of course.

okay, okay, so this one was released only in the UK. but how many times do you need someone telling you how amazing jet is, or maybe i’m amazed, or even another seriously guilty pleasure of mine, helen wheels?  i’ve already yammered on about venus and mars/rock show.  so i figured i’d take a little meander, again, off the beaten 1970s paul mccartney output track.

the first time i ever heard mccartney’s musical ode to mary, girl with the crazy, clingy sheep, i was watching a TV special called james paul mccartney. i must have been about eight years old, but it made a HUGE impression on me. for years afterward, i would anxiously scan the TV Guide, hoping it would be rebroadcast. and occasionally, it was, at some bizarre hour. i would set my alarm clock, wake up at aforementioned odd hour, and watch it, all the while bemoaning the fact that i had no way of recording it. (this was before the days of VCRs, kiddies. yes, i’m that old.) sure, there was a bizarre number where paul was singing and dancing with a group of half-men/half women split down their middles that i didn’t care much for. but the rest of the music was great, and i especially looked forward to mary had a little lamb.

fast forward about twenty or thirty years.

meet wreke the mom. i would sing this song to my babies. and i would be thrilled listening to them attempt to sing along with me. little babies, you see, can muster the la la parts. the only problem: mom always got teary toward the end of the song, much to the babies’ confusion. the teacher always turns the lamb away, much to the children’s (and the lamb’s) dismay.

But the lamb loved Mary so,
the eager children cry,
And Mary loves the lamb, you know,
the teacher did reply.

mom always loves her little singing lambs.

month of 70’s gpms: instant karma (john lennon)

month of 70’s gpms: instant karma (john lennon)

…just add water and stir. voila!

yes, the obvious john lennon choice would be imagine, one of the most beautiful songs i think i’ve ever heard in my life. blah blah blah. i just like to meander down the path least taken, do things slightly off-kilter. speaking of off-kilter, see yoko knit throughout this entire experience. knit, yoko, knit.

(oh, and to my beloved spouse, who probably would pick #9 dream… or maybe that’s revolution#9, only because he wishes to realize that dream of his: to pick #9 at a deli counter and then walk away, leaving the poor counter guy saying number 9? number 9? number 9? not picking it, hon.)

anyway, instant karma. what the hell was lennon thinking about here? he was thinking about creating a song and releasing it as instantly as possible. he wrote and recorded it the same day, and then he released the single 10 days later – a miracle for anyone who has ever known anything about the recording industry. there’s not much to the song, really;  it’s a simple song that can turn into an endless loop of an earworm if you’re not careful.

crazy trivia point for you crazy trivia people out there: stephen king apparently used part of the chorus of this song to name his novel. how he went from we all shine on to that cheerful, upbeat, happy tome we all know and love as the shining is anyone’s guess.

phil spector produced the song, which is apparent to me as it sounds like it was recorded in a bathroom. he ended up doing a lot of production work for the beatles that year, 1970. i believe this was his first work with them. considering the beatles were not exactly pals at that point in time, i suspect lennon’s speedy work spoiled spector for the rest of the time, which dragged and dragged on immeasureably, i bet. spector’s karma couldn’t possibly have been too instant.

expectations management, people. it’s all about expectations management.

anyway, instant karma. instant guilty pleasure. of course you know who’ll be on the hook for tomorrow, don’t you?

month of 70’s GPMs: this song (george harrison)

month of 70’s GPMs: this song (george harrison)

could be “sugar pie, honey bunch!”

could be “rescue me!”

no, george. it apparently is he’s so fine.

people often beatify george harrison; he, saint george of the hare krishnas, world citizen of peace, love, and sitar music. and, in truth, there’s plenty good that harrison did in his lifetime (including perhaps the first major concert for a cause), so many musical treasures he created. (i’ll just ignore the entire traveling dingleberry period, which always made me want to barf.)

but then they forget that the man had a wicked sense of humor.

this is the same guy who befriended the monty python crew and ended up producing movies, including my beloved life of brian as well as making cameos and such.

and he definitely set his angst to music in this song, a humorous hit from 1976 which served as public therapy for harrison, who at this time was fighting a legal battle over whether his song  my sweet lord copied the chiffons’ he’s so fine. this pre-MTV video is hilarious, and seeing ronnie wood dressed up as a frumpy housefrau is worth the trip alone. when this song came out, i was just thrilled to have output from george that had nothing to do with indian mysticism. (i skipped over within you without you so many times on my old Sgt Pepper record that it was a shock to me the first time i heard it on a CD.) it’s a bouncy tune that features eric idle shrieking could be “sugar pie honey bunch”… could be “rescue me,” a snarky aside showing that george was a bit tired of the US court system’s analysis of music. i love it; hellboy loves it, too.

anyway, george lost that trial, but george also had the last musical laugh: he ended up buying the rights to he’s so fine, making that song, as well as this song, his own.

month of 70's GPMs: evergreen (barbara streisand)

month of 70's GPMs: evergreen (barbara streisand)

this one will get me laughed out of the he-man woman haters club fer sure.

http://www.youtube.com/watch?v=Zv1SQFgfPR8

She Who Is Like Buttah did not put a lot of songs out in the 1970s that i particularly like. (i went off on one of them back in november, you might recall.) in fact, most of the time, i would prefer to focus on her movies of the 1970s — what’s up doc is one of the funniest films i have ever, ever seen (and which plagues hellboy to this day — whenever he mentions the name of one of his buddies from school, i immediately launch into dialogue from the film):

Howard: It gets kind of complicated now. First, there was this trouble between me and Hugh.
Judge Maxwell: You and me?
Howard: No, not you. Hugh.
Hugh: I am Hugh.
Judge Maxwell: You are me?
Hugh: No, I am Hugh.

yep. i’m sure little hugh can’t wait to come over for a playdate.

anyway, another extremely successful film of bahbra’s was the 1976 remake of a star is born. admittedly, i didn’t like it any of the times around. see, i have a big problem with a story about how a relationship disintegrates when the woman becomes successful and the man is in a period of decline. it grates on me nerves in the way only a wildly sexist plotline can.  yeah, yeah, sure, sure, people loved this remake. and babs does turn in an outstanding performance, though i never was able to suspend my belief long enough that kris kristofferson could be a successful rock star. he has all the charisma of a tub of cookie dough.

but i cannot lie: this academy award-winning AND grammy award-winning monster hit is also an incredibly beautiful song. sure, i found it smarmy when it came out, but i was also 11 years old at the time and easily grossed out by mushy lovesongs. paul williams lyrics are often simply brilliant: love, soft as an easy chair. whodathunkit? and barbara wrote the music, so props to her highness for that.

i wish i could say positive things about more of her music. i mean, anyone has to admit that, regardless of where you stand on her politics, the chick has got pipes. but she has chosen such unadulterated shlock over the years — or at least in the 1970s — that it makes it hard to cheer her on.

but i’m doing it here. bravely, in public.

i know snark awaits me.

bring it.

month of 70’s GPM: we are family (sister sledge)

month of 70’s GPM: we are family (sister sledge)

i got all my brothers with me. no sisters, though. can i still qualify?

there’s nothing like the sound of philadelphia (except for the eponymous song, i suppose.) so many musical greats came out of that grey, grey city. while not in that league of greats, sister sledge certainly has had a decent career in the top 40, no thanks to me, of course. (i could care less, for example, for their song he’s the greatest dancer, which is utter drek.)

but i always love when families can put aside their sibling rivalries and form a band.  let’s see, there’s the osmonds, the jacksons, the cowsills, the partridges… such happy, loving people who always got along! and of course the sisters sledge, who really have been singing together since childhood. once the magical production team of nile rodgers and bernard edwards from chic took them under their proverbial wings, they came up with two hits. the latter i’ve already mentioned not liking.

but we are family? how can you NOT like this song? it’s joyful, it’s fun, and hell, it can even be construed as a feministic anthem for women everywhere.  (which may explain why it was also good enough for the pittsburgh pirates.)

anyway, my twisted mini-memory of this song comes courtesy of toms river intermediate west, which has since been renamed toms river intermediate north, which should ALSO not be confused with toms river high school north. (my hometown has a slightly screwy school-naming situation. it is the proverbial tip of the iceberg, one might say.)

the big excitement of eighth grade would be the year-end talent show. i still remember being one of the lucky kids selected to be in the end of year talent show, though i cannot, in fact, recall what my talent was or how i performed it. (i do remember the christmas show, where i performed a milquetoast song called christmas is a feeling while some high-pitched eunich boy sang along. yes, virginia, christmas is a feeling; a feeling of wanting to self-immolate.)

nevertheless, i do remember the big finale — everyone danced down the narrow stage to we are family. i still recall this one girl, angela, from south toms river who danced so amazingly. i wanted soooo badly to dance like her, but alas, as a nice jewish girl, i knew that i would not. i simply looked stellar in my white pants with attached suspenders (this was 1979, after all); in retrospect, considering there were strobe lights and such, i wonder whether everyone could see my underpants.  (thank Dog i had no idea at the time or i would have never, ever lived down my mortification.)

yep. we are family reminds me that no matter how stupid i looked, there were people in the world who still publicly admitted to being my relatives. lucky for me, they still do.

but just in case, i think i’ll avoid white pants at all costs.

month of 70's GPM: american pie (don mclean)

month of 70's GPM: american pie (don mclean)

stifler’s mom never enters this discussion.

oh, i know. i hear you all groaning.  and in truth, i’m not as fond of this one as i was when i was a pre-teen; when i discovered the real meaning of american pie.

::insert melodramatic music here::

but i still think it’s worthy of my guilty-fied love. see, my oldest brother, aka BTD, had done a report in high school on the what the song was all about. i think it was the first time in my life i had ever actually figured out that words could have more than one meaning.

::insert melodramatic music here again::

in short, it freaked me out. (but in a good way, i would add.) i remember the frustration: you had to turn the 45 over to hear the rest of the damn song.  i also wasn’t thrilled that mclean trashed MY beatles and MY stones in favor of some bug-eyed dude from texas (who i have since grown to appreciate over the years, thank–you-very-much.) but i was enthralled by the idea of allegory (even if my fifth or sixth grade self was not yet acquainted with the term). i couldn’t wait to write some epic poem using this sort of subterfuge.

of course, i never did, though i did help that older brother decipher  sweet baby james for another paper, scouring out the meaning from a few heroin-soaked lines of nostalgia. (or did i write the paper for my class? not entirely sure all these years later, and i’m quite certain BTD has blotted out most memories prior to 1985. so i guess we’ll never know, fair reader. ah, these deep and impenetrable mysteries of life.)

anyway, i’m not a huge fan of mclean’s career (though vincent is a gorgeous, somber song), but i can acknowledge that american pie is a sort of landmark experience on the pop chart. and what happens when you write a landmark-type song?

parodies.

too many to list, of course, but a song like this is clearly inspirational to many.

there’s bye, bye french canadian guy.

there’s kelso’s version.

and of course, where’s there’s a parody, there’s always weird al.

[note to readers: bear in mind that BS will now be walking around the house singing about one day becoming a jedi, or however the hell that last song goes. in short, i have just punished myself for the entire month of really awful music from back in november. you’re welcome.]

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